WOODEN CLASSICISM

PRIVATE RESIDENCE /
SEASIDE, FLORIDA

ARCHITECT: ROBERT A.M. STERN
BUILDER: O.B. LAURENT CONSTRUCTION
PHOTOGRAPHY: STEVEN MANGUM – STM PHOTOGRAPHY

E. F. SAN JUAN PRODUCED ALL OF THE INTERIOR AND EXTERIOR MILLWORK FOR THIS ELEGANTLY DESIGNED RESIDENCE IN THE INFLUENTIAL NEW URBAN TOWN OF SEASIDE, FLORIDA.

The long hours and hard work allowed us to take the compacted plan and create the feel of an open, airy American beach house with the influence of 1930s Swedish classicism. The ceiling and walls in each room are paneled, giving them an elongated look to open up the space. The enticing, simplified wooden classicism style seamlessly complements the sweeping vistas and surrounding natural beauty along the Gulf of Mexico.

CHALLENGES

The beachfront residence required adherence to the area’s strict building code requirements, creating a unique profile for the compact layout of each room. Each room was also designed with all-wood walls and ceilings, which meant there was a lot of custom millwork!

SOLUTION

Unlike many homes where the same molding and paneling profiles are repeated throughout each room, this home featured a unique profile for each space. The effort was laborious—our team at E. F. San Juan created tools for each of these specific jobs. “The project required over four hundred man-hours of knife-grinding just to produce the tools,” says Edward San Juan. “Organization and scheduling were critical in this project because so many parts were required to complete each room.”

CHALLENGES

The beachfront residence required adherence to the area’s strict building code requirements, creating a unique profile for the compact layout of each room. Each room was also designed with all-wood walls and ceilings, which meant there was a lot of custom millwork!

SOLUTION

Unlike many homes where the same molding and paneling profiles are repeated throughout each room, this home featured a unique profile for each space. The effort was laborious—our team at E. F. San Juan created tools for each of these specific jobs. “The project required over four hundred man-hours of knife-grinding just to produce the tools,” says Edward San Juan. “Organization and scheduling were critical in this project because so many parts were required to complete each room.”

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